Board Thread:General Discussion/@comment-26838855-20190803131136/@comment-26838855-20190825001844

This is one of the things I lost work on, and have worked hard in the last 24 hours to redo the bits I lost. But here we are, a side project I said at one point I would do and, while often tricky to figure out and a bit difficult/tedious to write explanations for, I enjoyed doing. A side-by-side for aligning the Time Heist events with the original timeline events (also allowing you to know where things like the Ancient One participating in the battle, Jane getting her shawl and Frigga walking the corridor, or some of Quill's dance - things that we only saw in Avengers: Endgame but know must have played out the same way in the original timeline because there's no reason those things would have be affected by the Time Heist at each respective point - also would take place in the main timeline).

2012
Marvel's The Avengers

Avengers: Endgame


 * 1:51:45-1:52:02) Hulk punches a Leviathan and Tony blows it up, it falls down (p1of2).


 * 1:52:02-1:52:05) Hulk punches a Leviathan and Tony blows it up, it falls down (p2of2).


 * 1:07:11-1:07:14) New York shot (p1of2).
 * This doesn't match a shot from Marvel's The Avengers. It can just be assumed to be taking place right before the next shot, so simultaneous to the falling Leviathan and beginning of the Chitauri scream from Marvel's The Avengers.


 * 1:52:05-1:52:06) The Chitauri scream (p1of2).


 * 1:07:14-1:07:15) New York shot (p2of2).


 * 1:52:06-1:52:10) The Chitauri scream (p2of2).


 * 1:07:15-1:07:19) The Chitauri scream.


 * 1:52:10-1:52:21) The revolving shot of the Avengers.


 * 1:07:19-1:07:30) The revolving shot of the Avengers.


 * 1:52:21-1:52:33) More Leviathans rain down. Hulk is still facing the opposite direction from Black Widow (p1of2).


 * 1:52:33-1:52:35) More Leviathans rain down. Hulk is still facing the opposite direction from Black Widow (p2of2).


 * 1:07:30-1:07:32) Aerial shot, showing Hulk still facing in the opposite direction from Black Widow.
 * From 1:07:30 to 1:07:43, there is no clear point where there could be a jump in time in Avengers: Endgame, with events presented as continuous, other than maybe 1 second inserted at 1:07:38 to account for Steve facing one way and then the other. However, 1:07:43 on has Hulk passing by their alley. But from the revolving shot of the Avengers to the end of the shots of Hulk starting to smash Chitauri in Marvel's The Avengers is 1:52:21-1:53:29, 68 seconds, plus at least a further 3 seconds for Hulk to get back down to the ground and be by the alley. So 71 seconds of real time have to take place between 1:07:30 and 1:07:43 of Avengers: Endgame. One cut where there can easily be time inserted is at 1:07:30. From 1:07:30 to 1:07:32, the aerial shot shows the team still in their circle, with Hulk facing away from Black Widow. This can be several seconds after the end of the revolving shot and still work. Pushing it as late as possible, to reduce the time that needs to be inserted in unnatural places, the part of this shot where Hulk is visible can finish as late as simultaneously to 1:52:35 in Marvel's The Avengers, just before Hulk turns around. This then means 1:07:32-1:07:43, 11 seconds, now needs to stretch to fill 1:52:38-1:53:29 plus 3 seconds, 54 seconds - so, 43 seconds need to be slotted in, less than before.


 * 1:52:35-1:52:41) Hulk turns around. Cap starts giving instructions.


 * 1:07:32-1:07:38) Over in a nearby alley, the 2023 Avengers arrive. Cap says they each have their assignments and turns his head to the left.
 * This continues from 1:07:30-1:07:32 with no possible jump in time inserted at any point.


 * 1:52:41-1:53:11) Cap continues his instructions.
 * There are only two moments in Avengers: Endgame before 2012 Hulk arrives where you could conceivably just about manage to insert some time: 1:07:38 and 1:07:41 (it helps that there's what's likely actually a continuity error at 1:07:38, where one moment Steve turns his head to the left, then it cuts and he's looking to his right, turning his head to the left again - it means there should indeed be time inserted there). If the established 43 extra seconds were about roughly split, then that would mean about 22 seconds inserted at 1:07:38. However, this would make 1:07:38-1:07:43 simultaneous to 1:53:03-1:53:08 of Marvel's The Avengers, but Hulk does not start smashing the Chitauri until 1:53:14 of Marvel's The Avengers and is making smashing noises nearby by 1:07:41 of Avengers: Endgame, so Hulk would be making noise too early. Therefore, a further 8 seconds need to be inserted here for 1:53:14 of Marvel's The Avengers to align with 1:07:41 of Avengers: Endgame. There could be further seconds inserted here, but pushing it to just enough to work, just adding 8 further seconds, still keeps the balance of the two insertion points as close to even as possible, 30 : 13.


 * 1:53:11-1:53:14) Hulk leaps.

continues.
 * 1:07:38-1:07:41) Cap is looking to his right again. He turns his head left again and


 * 1:53:14-1:53:16) Hulk starts smashing Chitauri (p1of2).


 * 1:07:41-1:07:43) Cap is interrupted by a sound. The group turn, hearing smashing nearby.


 * 1:53:16-1:53:26) Hulk starts smashing Chitauri (p2of2).
 * The (first 10 seconds of the) 13-second insertion at 1:07:43 of Avengers: Endgame, as established.


 * 1:53:26-1:53:29) Thor flies up to the Chrysler Building.
 * The (final 3 seconds of the) 13-second insertion at 1:07:43 of Avengers: Endgame, as established.


 * 1:53:29-1:53:59) Thor conducts electricity through the Chrysler Building to destroy the Leviathans.


 * 1:07:43-1:08:13) 2012 Hulk goes past, smashing a car. 2023 Hulk heads off to Bleecker Street.
 * Time has been inserted between shots in Avengers: Endgame to allow this to fall at least (and going with the minimum, due to the difficulty of inserting the gaps already) 3 seconds after we last see Hulk in Marvel's The Avengers before this point, smashing Chitauri.


 * 1:53:59-1:54:02) Fury surveys the monitors.
 * For sake of ease, assuming this scene takes place immediately after the last, without a jump in time, thus meaning the last 3 seconds of Hulk leaving for Bleecker Street are simultaneous to this.


 * 1:08:13-1:08:16) 2023 Hulk throws a motorbike.


 * 1:54:02-2:02:30) Fury finishes surveying the monitors. Hill tells him there's a call from the security council. Tony leads Chitauri into crashes. Hulk leaps onto a Leviathan. Cap boosts Black Widow onto a Chitauri vehicle. The tracking shot of the Avengers fighting. Hulk punches Thor. Selvig wakes. Cap saves people. The Security Council says they want to fire on New York. Hawkeye fires Loki onto Stark Tower. Hulk tosses Loki around. Selvig tells Natasha about needing the sceptre. Tony Jonah-s a Leviathan. Clint leaps off his building and fires a grappling hook, swinging through a window.


 * 2:02:30-2:02:38) Clint lies on the ground, in pain. Hulk punches oncoming Chitauri.
 * Assuming no jump in time between the Clint scene and Hulk scene, for the sake of ease.


 * 1:08:16-1:08:24) The Ancient One destroys Chitauri.
 * 1:08:24 in Avengers: Endgame is the point when we last see a Chitauri around the Ancient One, and when Hulk arrives at the Sanctum. At the earliest, there needs to have been enough time since 1:54:02 of Marvel's The Avengers, simultaneous to when we last see Hulk leaving for Bleecker Street, for Hulk to get to Bleecker Street. As the crow flies (since Hulk leaps over building tops), it is pretty much exactly 2.0 miles. I will say that, at the fastest, Hulk's bounding is slightly faster than Usain Bolt's top speed of 27.8mph. Taking into account that he has to get up onto the buildings and it's never going to be exactly perfectly straight, we can use 27.8mph as the fastest Hulk could travel. This would mean at least 4 minutes and 19 seconds to get to Bleecker Street, plus about 5 seconds at least for him to start bounding up to the buildings from where we left off, so absolute minimum 4:24 since we last saw him, meaning Avengers: Endgame 1:08:24 is at least simultaneous to Marvel's The Avengers 1:58:28. At the latest, 1:08:24 is just before the Chitauri drop down dead, so 2:06:48. So, it's somewhere between 1:58:28 and 2:06:48, so can be taken to line up with roughly 2:02:38 of Marvel's The Avengers. There are possible jumps in time during Marvel's The Avengers at various points between 1:58:28 and 2:06:48, but there's an even chance at any point in that time, so the best estimate is still just 2:02:38. Assuming no jumps in time in Marvel's The Avengers just either side of this point, for the sake of ease, then 1:08:16-1:09:17 of Avengers: Endgame is simultaneous to approximately 2:02:30-2:03:31 of Marvel's The Avengers.


 * 2:02:38-2:03:31) Hulk is blasted at from all sides. Fury fires down a jet taking off, but another one flies with the nuke.
 * Assuming no jump in time between the Hulk scene and Fury scene, for the sake of ease.


 * 1:08:24-1:09:17) Hulk arrives and asks for the Time Stone, but the Ancient One refuses, pushing his astral form out of his body.


 * 2:02:38-2:06:48) It's too far gone for Fury to fire. Cap and Thor fight together. Natasha uses the sceptre on the protective field. Tony tries to contact Pepper but she doesn't pick up. He flies the nuke through the wormhole and it destroys the mother ship.


 * 2:06:48-2:09:08) The Chitauri collapse. Tony falls to Earth and Hulk catches him, then waking him.


 * 1:16:02-1:16:05) 2023 Tony surveys Stark Tower, seeing that things are about wrapped up (p1of2).
 * Approximately 10 seconds has to pass between shots at 1:16:11 of Avengers: Endgame for Tony to fly over to Stark Tower. Therefore, with 1:16:11-1:16:17 of Avengers: Endgame aligning with 2:09:24-2:09:30 of Marvel's The Avengers, the 10-second gap aligns with 2:09:14-2:09:24 of Marvel's The Avengers. This then means that 2:09:08-2:09:14 of Marvel's The Avengers aligns with 1:16:05-1:16:11 of Avengers: Endgame, giving 3 extra seconds, 1:16:02-1:16:05, of Avengers: Endgame set before the Loki scene in Marvel's The Avengers begins.


 * 2:09:08-2:09:14) Loki crawls up the steps.


 * 1:16:05-1:16:11) 2023 Tony surveys Stark Tower, seeing that things are about wrapped up (p2of2).


 * 2:09:14-2:09:24) Loki finishes crawling and looks around.
 * Simultaneous to the 10-second insertion at 1:16:11 of Avengers: Endgame, as established.


 * 2:09:24-2:09:30) The Avengers are waiting, standing over him.


 * 1:16:11-1:16:17) 2023 Tony sneaks into the Tower.


 * 2:09:30-2:09:36) "If it's all the same to you... I'll have that drink now."


 * 1:16:17-1:16:23) "If it's all the same to you... I'll have that drink now."


 * 2:09:36-2:09:40) Hulk grunts.
 * Hulk grunts after Loki speaks both here and in Avengers: Endgame. However, in Avengers: Endgame, the grunt is immediately followed (without a cut) by Tony starting to talk, but in Marvel's The Avengers, it is not. Therefore, they must be separate grunts. There is an opportunity at Avengers: Endgame 1:16:23 to insert a 4-second gap in which the remainder of the Marvel's The Avengers scene occurs, before then the Avengers: Endgame scene resumes, with Hulk grunting again and then Tony immediately speaking.


 * 1:16:23-1:26:25) Packing up. STRIKE. Ant-Man gets into the case. 2012 Hulk is sent down the stairs. The elevator. Ant-Man gives 2012 Tony a heart attack. Things go wrong and Loki gets away. Cap vs. Cap. The Ancient One explains about timelines. Bruce tells her about Strange's decision and she hands over the Time Stone.
 * The remaining scenes in 2012 all take place before the Avengers go to get shawarma.


 * 1:37:01-1:38:55) Tony explains what went wrong and has the idea to go to 1970. They leave.


 * 2:22:15-2:22:47) Shawarma.


 * 2:09:40-2:10:25) The news reports on the Avengers.

2013
Thor: The Dark World

Avengers: Endgame


 * 0:34:32-0:36:29) The prisoners are marched through Asgard to the cells. In Loki's cell, Frigga is visiting him through an illusion. She is sad he hasn't read the books she gave him.


 * Thor and Frigga Discuss Loki Deleted Scene: 0:21-1:10) Frigga ends her illusion visit to Loki. Thor arrives to see her, recently back from Vanaheim, and they discuss Loki.


 * 1:09:17-1:09:21) Asgard shot.
 * After Jane has arrived on Asgard, Malekith appoints Algrim to be Kurse. Prisoners are then escorted to Asgard's cells as Frigga visits Loki in a blue dress with a silver cloak and silver breastplate over her left side, mentioning that she's sad he hasn't read the books she sent him. Jane is then shown walking with Thor in a brown gown and blue/grey shawl, and she and Thor kiss by the lake. Frigga arrives, now in a blue/grey dress, blue shawl, and gold breastplate. It cuts to Loki in his cell, tossing a cup above him. Algrim then becomes Kurse, and Loki is shown still tossing his cup before getting up to see what's going on. A prison break starts. Back with Jane, Thor, and Frigga, they find out about the commotion in the prisons and Thor heads off to help. He fights in the prisons and Jane and Frigga see Odin, then going to Frigga's chambers. The Dark Elves arrive, beginning their attack, which leads to Frigga's death. The shot of Loki tossing the cup above him appears in both films, just with Thor and Rocket sneaking past in the new timeline (the first moment after they arrive), so the most obvious thing would be to align the two films' events by that. However, immediately after is when Algrim becomes Kurse and kicks off the attack on Asgard, leading to Frigga's death. Things are calm in Asgard in Avengers: Endgame, so it is definitely before the beginning of the riots that lead to the attack. It is possible to just assume that a certain amount of time occurs between Loki tossing his cup and the next shot, Algrim becoming Kurse, and despite the fact that Loki is then shown still tossing his cup, it's an hour or so later and he's just been tossing it for a long time or gone back to tossing it. Then the Avengers: Endgame events occur in that space. But no, either side of that moment, Thor, Jane, and Frigga are out by the lake. The Loki moment is sandwiched between either half of that scene by the lake, so a) no extra time should be passing between, especially not an hour or so, and b) Frigga and Jane are by the lake both before and after the Loki moment, yet Jane is in her chambers and Frigga is wandering the corridor in the Avengers: Endgame events, so it cannot be between. But maybe, maybe you can then argue that Frigga and Jane are by the lake with Thor, then Loki is tossing his cup, then an hour or so passes where Jane goes back to her chambers and Frigga is walking the corridors of Asgard, then Algrim becomes Kurse as Loki is still tossing his cup and Frigga and Jane happen to go back to the lakeside and reunite with Thor. It's a massive stretch. But still, it doesn't work. Not only is it clearly just a continuation of the same scene either side of another scene, but in the Avengers: Endgame 2013 events, Jane is given the blue/grey shawl to wear over her brown gown. She already has it by the time she's by the lake in Thor: The Dark World, before the shot of Loki. If the previous points hadn't already seemed like a stretch, this is the final straw, there's no way the Avengers: Endgame 2013 events occur after the lakeside scene in Thor: The Dark World. It has to be before (all of it does, not just the Jane scene, as Frigga is then also in the lakeside scene). It just has to be assumed that Loki is tossing the cup in an identical, right down to his muscle positions, way hours apart. This also somewhat confirms it was not intended to be the exact same moment, as it was pulled from dailies rather than taken from Thor: The Dark World. So, now we know that the 2013 events have to fall somewhere between Jane's arrival and the lakeside scene. In the scene where Frigga visits Loki in his cell, she is in a different outfit to the one she is in by the lakeside scene and Avengers: Endgame events. This would suggest that the 2013 events take place after she has changed into the outfit she wears in the lakeside scene and up to her death, so after the scene where Frigga visits Loki. That scene is immediately before the lakeside scene, which the 2013 events are before, so that would establish that all the Avengers: Endgame 2013 events slide in comfortably at 0:36:29. Now, yes, that Frigga is an illusion, not in the flesh, so it's possible that is not what she's wearing in the flesh. But there's no particular reason to want for the scene to fall any earlier, before that scene, so as to require that assumption - there's one possible reason, but I will address why it does not matter - and this deleted scene, while not official canon, establishes that it is the intent that Frigga is indeed wearing the same clothes in the flesh, and it's all but official canon. Now, the one possible reason to want the Avengers: Endgame 2013 events to be before the scene where Frigga visits Loki is that in the Avengers: Endgame events, she mentions wanting to get some astronomy books for Loki, and in the Thor: The Dark World scene, she is sad that he has not read some books he sent her. However, we know for certain (it's mentioned) that the Avengers: Endgame events are the day of Frigga's death, so at most it would merely be hours before Frigga visits Loki. Her tone in Thor: The Dark World implies he's had the books for more than long enough to read them, but hasn't touched them - long enough to know that he is pointedly refusing to read them, not "I had these dropped off hours ago and you haven't read them yet?" Plus, her tone in Avengers: Endgame is more that of someone who has just visited Loki - she's saying to get a soup sent to him, which would make sense after visiting him and seeing he's not eaten enough, and her phrasing, "And ask our librarians to pull some volumes from the astronomy shelf," implies more "Let's try the astronomy shelf this time". So it works at least equally well after the visiting Loki scene as before. In conjunction with the outfit change and the deleted scene, it definitely should be after the visiting Loki scene. After that, before the lakeside scene, so all slotting in at 0:36:29. This also works well because another deleted scene shows another take of the same deleted moments they pulled from to use in Avengers: Endgame with Rocket trying to get the Aether out of Jane, and this deleted scene naturally slots in after the scene of Frigga visiting Loki, after the deleted scene following that, and before the lakeside scene - the same place as the 2013 events - since it is before the lakeside scene but Thor has changed since his deleted scene with Frigga to his outfit the day of the lakeside scene. So, while the Loki shot cannot align side-by-side, the 2013 events will still align side-by-side with the deleted scene from Thor: The Dark World of the same moment. I'm including the two deleted scenes in my breakdown because they factor in nicely.


 * 1:09:21-1:09:28) Loki tosses a cup above him.


 * 1:09:28-1:09:54) Thor sees Jane. He wants to leave for the wine cellar.


 * 1:09:54-1:11:55) As Thor goes to leave, he has to hide as Frigga walks past, saying her to her servants, "If you could send Loki some soup. And ask our librarians to pull some volumes from the astronomy shelf." Thor has a panic attack. Rocket goes ahead, but finds Thor has walked off.


 * 1:28:25-1:29:46) Frigga finds Thor and guesses he's from the future. They hug.


 * Jane Wakes Up on Asgard Deleted Scene: 0:04-0:05) Jane wakes, her head in her hand (p1of2).
 * At least about 15 minutes take place between 1:29:46 and 1:30:07 of Avengers: Endgame, for Thor to go back to Frigga's chambers and tell his story in that time. So, splitting that about evenly, then about 7ish (or more) minutes would occur at 1:29:46 and another about 7ish (or more) minutes would occur at 1:30:07. Therefore, this 1 extra second before 1:29:46 of Avengers: Endgame would very likely not overlap with 1:29:45-1:29:46 of Avengers: Endgame, still minutes after 1:28:25-1:29:46.


 * Jane Wakes Up on Asgard Deleted Scene: 0:05-0:08) Jane wakes, her head in her hand (p2of2).


 * 1:29:46-1:29:49) Jane wakes, her head in her hand.


 * Jane Wakes Up on Asgard Deleted Scene: 0:08-0:10) Jane lifts her head off her hand.


 * 1:29:49-1:29:51) Jane lifts her head off her hand.


 * Jane Wakes Up on Asgard Deleted Scene: 0:10-0:14) Jane sits up about halfway.


 * 1:29:51-1:29:55) Jane sits up about halfway.


 * Jane Wakes Up on Asgard Deleted Scene: 0:14-0:16) Jane finishes sitting up and looks around (p1of2).


 * 1:29:55-1:29:57) Jane finishes sitting up.


 * Jane Wakes Up on Asgard Deleted Scene: 0:16-0:21) Jane finishes sitting up and looks around.


 * Jane Wakes Up on Asgard Deleted Scene: 0:21-0:23) Jane pulls off the last of the covers and puts her feet down to stand up.


 * 1:29:57-1:29:59) Jane pulls off the last of the covers and puts her feet down.


 * Jane Wakes Up on Asgard Deleted Scene: 0:23-0:24) Jane stands up.


 * 1:29:59-1:30:07) Jane stands up.


 * 1:30:00-1:30:07) Jane turns her head. She picks up her things to leave. Rocket follows her with a syringe.


 * Jane Wakes Up on Asgard Deleted Scene: 0:24-0:40) Jane steps out and looks over Asgard.


 * 1:30:07-1:32:20) Thor talks to his mother. Rocket arrives, Thor summons Mjolnir, and they leave.
 * At least a good few minutes take place during the cut at 0:40 in the Jane Wakes Up on Asgard deleted scene, for Jane to get down to the streets and Thor to wander and find her. I think it's likely that less time passes between Jane waking up and this scene than Jane waking up and the scene from Jane Wakes Up on Asgard of her in the streets, so placing this first, without overlap.


 * Jane Wakes Up on Asgard Deleted Scene: 0:40-1:15) Thor finds Jane, who is fascinated at things on the street. It turns out that she is amazed by simply a child's ball.


 * 0:36:29-0:37:50) Jane and Thor talk on a balcony and end up kissing. Frigga arrives, meeting Jane.


 * 0:37:50-0:37:54) Loki tosses a cup above him.

2014
Guardians of the Galaxy

Avengers: Endgame


 * 1:11:55-1:16:03) Arriving in 2014. Meanwhile, Nebula and Gamora train. Nebula's files are activated.


 * 1:26:24-1:28:24) Thanos has Nebula analysed.


 * 0:04:16-0:06:19) Quill arrives on Morag.


 * 0:06:19-0:06:28 video) The cassette plays.
 * 0:06:19-0:06:28 audio) Ta-ta ta-ta ta. Bam, bam-bam, bam, bam-bam. Bam bam-bam bam-bam bam-bam. Twang, twang-twang twang, twang-twang.
 * In both films, the video is not always in real time with the audio. This is shown by the fact that at several points, time has passed between cuts, where Quill has moved to another point or thrown an Orloni or something of the sort. As well as this, the song does not entirely play in real time, as it jumps a verse and chorus at one point, and a line at another point. Therefore, for all points involving the song, I will separately write the video and audio for which point they should be at. As well as this, when there is a part of the song missing, I will include the song for the sake of completeness and ease regarding real time.


 * 1:32:08-1:32:17 audio) Ta-ta ta-ta ta. Bam, bam-bam, bam, bam-bam. Bam bam-bam bam-bam bam-bam. Twang, twang-twang twang, twang-twang.


 * 0:06:28-0:06:30 video) Quill steps up among the pillars.
 * 0:06:28-0:06:30 audio) Twang twang-twang, twang-twang twang-twang.
 * 0:06:19-0:06:28 video is clearly simultaneous with 0:06:19-0:06:28 audio. Then, at the very least, 15 seconds passes before 0:06:43, when Quill finishes kicking the Orloni, simultaneous to 1:32:28 of Avengers: Endgame (even if there were no jumps in time up to this point in Guardians of the Galaxy, there would still be room for the Avengers: Endgame scenes up to that point to take place before this point, so that's fine). Then, from this point, 6 seconds of content occurs before, in Avengers: Endgame, Quill then has to be in sync with the audio from 1:32:34-1:32:44, singing "Come on and find it", but more than 6 seconds has to actually pass, as there are three cuts in that time which need to last at least a second each for Quill to have got into each position. So, at least 9 seconds should pass since the kicking the Orloni before "Come on and find it", meaning at least 24 seconds have to pass between 06:02:28 of Guardians of the Galaxy and 1:32:34 of Avengers: Endgame. As well as this, 24 seconds of the song pass between these points, so all 24 of these seconds of content have to pass with no further additional seconds inserted between shots. It means that 0:06:28-0:06:46 of Guardians of the Galaxy has to play in real time, with the equivalent scenes from 1:32:21 to 1:32:28 of Avengers: Endgame playing as is fitting, aligning side-by-side, then 1:32:28-1:32:30 of Avengers: Endgame, 1 second of real time is then inserted, then 1:32:30-1:32:32, then 1 second inserted, then 1:32:32-1:32:34, 1 second, 1:32:34-1:32:44, lining up with "Come on and find it".


 * 1:32:19-1:32:21 video) Quill steps up among the pillars.


 * 0:06:30-0:06:34 video) Quill dances among the pillars.
 * 0:06:30-0:06:34 audio) "Hai-ail, hai-ail, What's the matter with..."


 * 0:06:34-0:06:35 video) Quill kicks the water.
 * 0:06:34-0:06:35 audio) "...ya? Hai-ail..."
 * 0:06:28-0:06:46 of Guardians of the Galaxy plays in real time, as explained.


 * 1:32:21-1:32:22 video) Quill kicks the water.


 * 0:06:35-0:06:38 video) Quill grooves to the music.
 * 0:06:35-0:06:38 audio) "... hai-ai-ail."
 * 0:06:28-0:06:46 of Guardians of the Galaxy plays in real time, as explained.


 * 1:32:22-1:32:25 video) Quill grooves to the music.


 * 0:06:38-0:06:43 video) Quill kicks the Orloni (p1of2).
 * 0:06:38-0:06:43 audio) "Hai-ail, hai-ail. What's the matter with..."
 * 0:06:28-0:06:46 of Guardians of the Galaxy plays in real time, as explained.


 * 1:32:17-1:32:22 audio) "Hai-ail, hai-ail. What's the matter with..."


 * 0:06:43-0:06:46 video) Quick kicks the Orloni (p2of2).
 * 0:06:43-0:06:46 audio) "... ya mind and ya sign, and a..."
 * 0:06:28-0:06:46 of Guardians of the Galaxy plays in real time, as explained.


 * 1:32:25-1:32:28 video) Quill kicks the Orloni.
 * 1:32:22-1:32:25 audio) "... ya mind and ya sign, and a..."


 * 0:06:46-0:06:48 audio) "... ohh oh-ohh."
 * From 0:06:46 to 0:06:50 of Guardians of the Galaxy, we see Quill singing along to the "Hai-ail" of the song. It is implied to be simultaneous to the audio, which also reaches that point at the same moment. However, there is some flexibility, since there are other moments where the song has the same "Hai-ail". As established, 1:32:28-1:32:44 of Avengers: Endgame has to play out almost in real time immediately after 0:06:46 of Guardians of the Galaxy, with just three 1-second insertions between cuts, and this is not compatible with 0:06:46-0:06:50 of Guardians of the Galaxy. So, that moment in Guardians of the Galaxy, and thus all the subsequent moments in Guardians of the Galaxy, have to put off until later in the song, when another "Hai-ail" occurs.


 * 1:32:28-1:32:30 video) Quill continues grooving to the music.
 * 1:32:25-1:32:27 audio) "... ohh oh-ohh."
 * Immediately after 0:06:46 of Guardians of the Galaxy and 1:32:28 of Avengers: Endgame, as established.


 * 9:06:48-0:06:49 audio) "Hai-ail..."


 * 1:32:27-1:32:28 audio) "Hai-ail..."
 * A 1-second gap inserted between shots at 1:32:30, since at least 1 second needs to pass for Quill to stop and then start sliding, but no more than 1 second can pass, as established.


 * 0:06:49-0:06:51 audio) "... hai-ail. No-"


 * 1:32:30-1:32:32 video) Quill slides across a puddle.
 * 1:32:28-1:32:30 audio) "... hai-ail. No-"
 * Immediately following just a 1-second break at 1:32:30, as established. This moment is also featured in Guardians of the Galaxy, but as established, this has to fall here, and that moment has to fall later in the song, so they have to be separate moments. Otherwise, this would not squeeze in before "Come on and find it". This isn't too much of a problem, since Quill is later shown to be sliding again, so that can be taken to be the moment simultaneous to the Guardians of the Galaxy puddle slide.


 * 0:06:51-0:06:52 audio) "-thin' the matter..."


 * 1:32:30-1:32:31 audio) "-thin' the matter..."
 * A 1-second gap inserted between shots at 1:32:32, since at least 1 second needs to pass for Quill to start spinning, but no more than 1 second can pass, as established.


 * 0:06:52-0:06:54 audio) "... with ya head, baby find..."


 * 1:32:32-1:32:34 video) Quill spins around.
 * 1:32:31-1:32:33 audio) "... with ya head, baby find..."
 * Immediately following just a 1-second break at 1:32:32, as established.


 * 0:06:54-0:06:55 audio) "... it."


 * 1:32:33-1:32:34 audio) "... it."
 * A 1-second gap inserted between shots at 1:32:34, since at least 1 second needs to pass for Quill to stop spinning, but no more than 1 second can pass, as established.


 * 0:06:55-0:06:57 audio) "Come on and find it."


 * 1:32:34-1:32:36 video) Quill uses an Orloni as a microphone, singing "Come on and find it".
 * 1:32:34-1:32:36 audio) "Come on and find it."
 * Immediately following just a 1-second break at 1:32:34, as established. This takes it to aligning with the music as Quill sings.


 * 0:06:57-0:07:05 audio) "Hai-ai-ail. With it, baby, 'cause ya fine, and ya mine, and ya... look so di-"


 * 1:32:36-1:32:44 video) Quill dances with the Orloni in-hand, holds it out, struts, and sings again to the Orloni.
 * 1:32:36-1:32:44 audio) "Hai-ai-ail. With it, baby, 'cause ya fine, and ya mine, and ya... look so di-"
 * Aligning with the music as Quill sings.


 * 0:07:05-0:07:06 audio) "-vi-ine."
 * At some point between 0:07:06 and 0:07:26 in Guardians of the Galaxy, the audio jumps a chorus and verse, as by the end of the chorus it is heading into the post-second chorus bridge. 0:07:06-0:07:10 has Quill singing "Come and get your love" in time with the music, and while it's possible that he's just singing along to the second chorus while the music is still on the first chorus (he cannot be singing along to the first chorus, as 0:06:46 of Guardians of the Galaxy does not occur until at least the next "Hai-ail", as established, which is after the first chorus), since the cut has to happen at some point here anyway, it might as well happen at 0:07:06 so 0:07:06-0:07:10 is the second chorus both in the video and audio, in sync.


 * 1:32:44-1:32:45 video) Quill throws the Orloni (p1of2).
 * 1:32:44-1:32:45 audio) "-vi-ine."
 * This seems to follow immediately from the last shot. There's no reason it shouldn't, so it can just follow.


 * 1:32:45-1:32:46 video) Quill throws the Orloni (p2of2).
 * 1:32:45-1:32:46 audio) Music.
 * Second half of the same shot.

0:46-0:57 song audio) "Come and get your lo-o-ve. Come and get your lo-o-ve. Come and..."


 * 1:32:46-1:32:50 video) Rhodey and Nebula watch Quill sing out of sync with the music.
 * 1:32:46-1:32:50 audio) "(Come and) get your lo-o-ve."
 * Quill is spinning around again as he sings this. Ideally, it could be simultaneous to 0:06:50-0:06:54 of Guardians of the Galaxy. However, that moment is after 0:06:46-0:06:50 of Guardians of the Galaxy, where Quill sings "Hai-ail". The next available "Hai-ail" is the beginning of the second verse, which would mean that, if this scene were alongside the spinning from Guardians of the Galaxy, after that, the next time that there's a "Come and get your love" followed immediately by a "Hai-ail" as in this moment from Avengers: Endgame would be toward the end of the song. At that point, you are a) running out of song for the remainder of the events, b) leaving a lot of dead time during the second verse, second chorus, and bridge, and c) at 0:07:06-0:07:10, after this, Quill sings to another "Come and get your lo-o-ve". While there are "Come and get your love"s after the "Hai-ail" toward the end of the song, they are faint and not in the style of the one Quill gives, clearly meant to be like the music that's playing at that moment - one with a beat before it and a proper "Come and get your lo-o-ve". All in all, this should not be the same spin as the spinning moment in Guardians of the Galaxy. So, it is free to be its own moment, and there are two options: the end of the first chorus and start of the second verse, or the end of the bridge and third chorus, toward the end of the song. The former makes more sense, as, after this, there is a moment where Quill is sliding, which can align with the sliding across the puddle moment from Guardians of the Galaxy. That moment, on its own, naturally falls around the end of the second verse, a while before the end of the third chorus. So, if that moment is to be side-by-side with the sliding scene of Avengers: Endgame after this, then this should be before the sliding scene from Guardians of the Galaxy, so ideally before the end of the second chorus, meaning it should be the "Come and get your love" followed by a "Hai-ail" at the end of the first chorus, beginning of second verse. This works better anyway, following only a few seconds after the last shot of Quill, rather than a big jump. Since the "Hai-ail" at 0:06:46-0:06:50 of Guardians of the Galaxy also appears to be the "Hai-ail" at the beginning of the second verse, that would make it the same "Hai-ail" that Quill sings at 1:32:54-1:32:58 of Avengers: Endgame, presumably picking up the Orloni just after the camera pans away from him in that film. Quill's singing does not line up, not leaving enough space between the "Love" and "Hai-ail", so it has to be considered out of sync, as part of the joke. However, with the "Hai-ail" lining up with Guardians of the Galaxy ' s "Hai-ail", and that seemingly being in sync, it can be decided that the "Come and get your love" part is where he is out of sync.


 * 1:32:50-1:32:54 video) Rhodey and Nebula turn to each other and agree Quill is an idiot (p1of3).
 * 1:32:50-1:32:54 audio) "Come and get your love.
 * These seconds are between the moment we last see Quill in this shot and the moment by which he should be picking up the Orloni, from the simultaneous scene in Guardians of the Galaxy. It's 4 seconds, which works fine for him stopping spinning and picking up the Orloni".


 * 0:06:46-0:06:50 video) Quill grabs an Orloni and sings "Hai-ail" to it.
 * This plays simultaneous to the "Hai-ail" of the first verse, but as established, it cannot be. The best place then is the equivalent "Hai-ail" of the second verse. If not, the only option would be later in the second verse or toward the end of the song, but after this there is a proper "Come and get your lo-o-ove" from Quill, and there is not a proper one of those after the "Hai-ail" toward the end of the song and the one very shortly after the one in later in the second verse is too soon after to fit, so again, there is not a proper "Come and get your lo-o-ove" (that fits) after that "Hai-ail". So, this should be the "Hai-ail" at the beginning of the second verse.


 * 1:32:54-1:32:58 video) Rhodey and Nebula turn to each other and agree Quill is an idiot (p2of3).
 * 1:32:54-1:32:58 audio) "Oh, yeah. Hai-ail. (Hai-ail.)
 * The "Hai-ail" is then in time with him singing it in Guardians of the Galaxy. While it does look like mouthing in that film, I guess he's really singing it, just faintly and badly.


 * 1:09-1:12 song audio) "What's the matter with ya feel right?"
 * So, 0:06:50 is at 1:09 of the song, and at 0:07:06, Quill has reached "Come and get your lo-o-ove", 1:42 of the song. This means that an extra 17 seconds should be inserted between shots at cuts between 0:06:50 and 0:07:06. The best distribution of the 17 seconds, based on how much Quill has moved/changed position, is roughly: 4 seconds at 0:06:50, 1 second at 0:06:54, 1 second at 0:06:58, 5 seconds at 0:07:02, 6 seconds at 0:07:06. So, this is the (first 3 seconds of the) 4-second insertion at 0:06:50. Adding in the song audio here because the Avengers: Endgame audio doesn't involve the song.


 * 1:32:58-1:33:01) Rhodey and Nebula turn to each other and agree Quill is an idiot (p1of3).


 * 1:12-1:13 song audio) "Don't ya..."
 * The (final second of the) 4-second insertion at 0:06:50, as established.


 * 0:06:50-0:06:54 video) Quill struts along.
 * 1:13-1:17 song audio) "... feel right, baby? Hai-ail. Oh..."


 * 1:17-1:18 song audio) "... yeah."
 * The 1-second insertion at 0:06:54, as established.


 * 0:06:54-0:06:58 video) Quill spins around.
 * 1:18-1:22 song audio) "Get it from the main vine, alri-ight."


 * 1:22-1:23 song audio) Music.
 * The 1-second insertion at 0:06:58, as established.


 * 0:06:58-0:07:02 video) Quill spins slower and grooves along.
 * 1:23-1:27 song audio) "I said a-find it, find it. Go on..."


 * 1:27-1:32 song audio) "... and love it if you like it, yeah-eah."
 * The 5-second insertion at 0:07:02, as established.


 * 0:07:02-0:07:06 video) Quill finds a Korbinite skeleton.
 * 1:32-1:36 song audio) "Hai-ail, hai-ail. It's... "


 * 1:36-1:42 song audio) "... your business if you want some, take some. Get it together, baby."
 * The 6-second insertion at 0:07:06, as established.


 * 0:07:06-0:07:10 video) Quill holds an Orloni outstretched as he sings, "Come and get your lo-o-ve."
 * 0:07:06-0:07:10 audio) "Come and get your lo-o-ve."


 * 0:07:10-0:07:21 audio) "Come and get your lo-o-ve. Come and get your lo-o-ve. Come and get..."
 * We're now in the final stretch of the song. We're at 0:07:10 in Guardians of the Galaxy, and the song cuts out 42 seconds later at 0:07:52. Let's call that the end of the song sequence. So at least 42 seconds, plus at least 3 seconds inserted at 0:07:10 for Quill to drop the Orloni and start sliding and plus at least 7 seconds inserted at 0:07:31 for Quill to get to the top of the steps and start using his unlocking tool, needs to play out before the end of the song sequence at 0:07:52 of Guardians of the Galaxy. By 0:07:10, it is at 1:46 of the song, so if the minimum time elapsed then the song sequence would end at 2:38 of the song. At a maximum, it goes all the way to the end of the song at 3:26. So, using the midpoint for an approximation, we can take it that the song sequence ends at about 3:02 of the song. This means an additional approximate 24 seconds of real time should elapse in the final stretch of this song. There are the two necessary gaps, at 0:07:10 and 0:07:31, plus it doesn't hurt to add a few seconds at 0:07:15 and 0:07:28. Using a 2:1 necessary : doesn't hurt ratio of distributing the 24 seconds into the cuts, it gives 16 seconds to put into the two necessary gaps and 8 seconds to put into the two other gaps, so 8 additional seconds giving 11 total seconds inserted at 0:07:10, 4 seconds at 0:07:15, 4 seconds at 0:07:28, and 8 additional seconds giving 15 total seconds at 0:07:31. So, this is the 11-second insertion at 0:07:10.


 * 0:07:10-0:07:13 video) Quill slides across a puddle (p1of2).
 * 0:07:21-0:07:24 audio) "... your love."


 * 1:33:01-1:33:04 video) Quill slides, but is suddenly knocked out by Rhodey.
 * As established, this lines up with the sliding across the puddle.


 * 0:07:13-0:07:15 video) Quill slides across a puddle (p2of2).
 * 0:07:24-0:07:26 audio) Instrumental.


 * 1:33:04-1:33:06 video) Nebula takes the tool from Quill's bag (p1of4).


 * 2:02-2:05 song audio) "Come and get your love, come and get your love, come and get your love now."
 * The (first 3 seconds of the) 4-second insertion at 0:07:15, as established. There is a 3-second jump in the audio at 0:07:26, skipping one "Come and get your love, come and get your love, come and get your love now". Putting the song audio in to cover those 3 seconds.


 * 1:33:06-1:33:09 video) Nebula takes the tool from Quill's bag (p2of4).


 * 0:07:26-0:07:27 audio) "Come..."
 * The (final second of the) 4-second insertion at 0:07:15, as established.


 * 1:33:09-1:33:10 video) Nebula takes the tool from Quill's bag (p3of4).


 * 0:07:15-0:07:18 video) Quill boogeys up to the chasm (p1of2).
 * 0:07:27-0:07:30 audio) "... and get your love, come and get your love, come and get your love now."


 * 1:33:10-1:33:13 video) Nebula takes the tool from Quill's bag (p4of4).


 * 0:07:18-0:07:19 video) Quill boogeys up to the chasm (p2of2).
 * 0:07:30-0:07:31 audio) Instrumental.


 * 0:07:19-0:07:23 video) Quill looks at the chasm below.
 * 0:07:31-0:07:35 audio) "Come and get your love, come and get your love, come and get your love now."


 * 0:07:23-0:07:25 video) Quill fires up his boots.
 * 0:07:35-0:07:37 audio) "Come and get your love..."


 * 0:07:25-0:07:28 video) Quill flies over the chasm.
 * 0:07:37-0:07:40 audio) "... come and get your love, come and get your love now."


 * 0:07:40-0:07:44 audio) "Come and get your lo-o-ve."
 * The 4-second insertion at 0:07:28, as established.


 * 0:07:28-0:07:31 video) Quill hops up the steps.
 * 0:07:44-0:07:47 audio) "Come and get your..."


 * 0:07:47-0:07:52 audio) "... lo-o-ove. Come and get your lo-..."
 * The (first 5 seconds of the) 15-second insertion at 0:07:31, as established.


 * 2:31-2:40 song audio) "...-o-ove. Come and get your love. Hai-."
 * The (next 9 seconds of the) 15-second insertion at 0:07:31, as established. The audio has now finished, at 0:07:52, in Guardians of the Galaxy, so just using song audio to fill the gaps from here on.


 * 2:40-2:41 song audio) "-ail."
 * The (final second of the) 15-second insertion at 0:07:31, as established.


 * 1:33:13-1:33:14) Nebula unlocks the door and ignores Rhodey's caution, proceeding into the temple (p1of2).
 * It has been established that it takes Quill roughly 41 seconds to get from where he is on the puddle (when he's knocked in the new timeline) to the door of the temple. Without all the dancing and distractions, it is likely that Nebula and Rhodey could get there in about half the time, so roughly 21 seconds. Therefore, them arriving at the temple at 1:33:13 is approximately 21 seconds after Nebula finishes taking the tool from his bag.


 * 0:07:31-0:07:52 video) Quill breaks in and puts down the light ball.
 * 2:41-3:02 song audio) "Hai-ail. What's the matter with ya feel right? Don't ya feel right, baby? Hai-ail. Oh, yeah. Get it from the main vine, alri-ight."
 * Lining up to end with roughly 3:02 of song, as established.


 * 1:33:14-1:33:35) Nebula unlocks the door and ignores Rhodey's caution, proceeding into the temple (p2of2).


 * 0:07:52-0:07:56) The Orb sits in the protective field (p1of2).


 * 1:33:35-1:34:39) Rhodey follows Nebula in.


 * 0:07:56-0:08:11) Korath arrives.
 * This falls somewhere between the placement of the 0:07:31-0:07:56 and 0:08:11-0:09:27 scenes. Placing it immediately after 0:07:31-0:07:56 to give Korath and his team maximum time to find their way to the temple.


 * 1:33:39-1:33:52) Nebula reaches into the field and pulls out the Orb. The field dissipates.


 * 1:33:52-1:36:34) Rhodey heads back to 2023 but Nebula is stuck. Thanos finds out about his death. He gives 2014 Nebula a chance to prove herself. 2023 Nebula wakes up and realises she has to warn the others.


 * 0:08:11-0:09:27) Quill gets the Orb. Korath arrives and Quill dodges a blast from him.
 * Korath arrives at 0:08:26. There's no reason he would arrive later in Avengers: Endgame, so, assuming Nebula leaves the temple at least a good 20 seconds before Korath is set to walk through the door, then there's at least 5 seconds between Avengers: Endgame 1:36:34 and Guardians of the Galaxy 0:08:11, so this scene is cleanly after the last Avengers: Endgame scene. As with the 2012 and 2013 side-by-sides, I'm not including clean jumps in time to make it all a real time timeline, all that's important is the chronology. I only did it above because of the song.


 * 0:09:27-0:09:54) Quill escapes and makes a big leap.


 * 1:36:34-1:37:01) Nebula is kidnapped.
 * Assuming just the minimum 20ish seconds between Nebula waking and Korath stepping through the door, since it is somewhat worth minimising the time span between 0:07:56 and 0:08:11 of Guardians of the Galaxy, as Quill does not appear to have been in the temple long. It takes Quill roughly 2:41 to get through Morag to the temple. Assuming it would take roughly half that time or someone not dancing/getting distracted. Nebula is running, so even faster, but she's going a bit further, so overall, still about half the time, 1:21, inserted between shots at 1:36:34. The 5 seconds between Avengers: Endgame 1:36:34 and Guardians of the Galaxy 0:08:11, then 1:16, meaning 1:36:34-1:37:01 of Avengers: Endgame is simultaneous to roughly 0:09:27-0:09:54 of Guardians of the Galaxy.


 * 0:09:54-0:11:21) Quill gets back to the Milano.


 * 0:11:21-0:11:35) Quill flies away.


 * 1:46:38-1:47:59) 2023 Nebula talks to Gamora. 2014 Nebula takes her head plate.
 * At least a few minutes after 1:37:01. The remainder of the Guardians of the Galaxy sequence is 1:41 long, plus some additional time inserted at 0:11:21 but not much since Quill is desperate to get away. So, overall, this would be after that.


 * 1:47:59-1:48:11) 2014 Nebula goes to Thanos, showing him the replaced plate.


 * 1:48:11-1:48:24) Arriving on Vormir.


 * 1:48:24-1:48:32) Natasha and Clint walk over the dunes.


 * 1:48:32-1:49:19) Natasha and Clint meet Red Skull.


 * 1:49:19-1:50:08) Red Skull explains about the sacrifice.


 * 1:50:08-1:55:07) Natasha's sacrifice.


 * 0:11:35-0:13:05) Quill gets a call from Yondu, who is on Morag, finding the Orb gone.
 * This is enough time after Quill's escape that the rest of the 2014 Avengers: Endgame events can have played out.